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Plans for The Westgate Hotel (what was then called The Westgate Plaza Hotel) began in the early '60s with a dinner conversation between the late President Eisenhower and C. Arnholt Smith, a local banker and financier. "Is this the best hotel you have in San Diego?" Eisenhower asked. History fails to record the hotel in which the remark was made, but the latest downtown hotel had been built thirty-five years before; and Smith -- a native San Diego Rags-to-Riches success story -- took it as a personal challenge, and the Westgate-California Corporation, the conglomerate he headed, undertook the launching of a new hotel.

It would be a complete anachronism and denial of all the principles of hotel cost accounting! "The Westgate" would be a modern hotel designed along the lines of the classical European hotel palaces de grand luxe.

Richard George Wheeler & Associates, in partnership with Fujimoto & Fish, A.I.A designed the hotel. It was built by Southcoast and Riha Construction

 
at a cost of $14.5 million. When the Westgate Plaza Hotel was built in 1970, it was the most expensive hotel built in the country.

The lobby of the hotel is a re-creation of one of the anterooms at Versailles. French nobility used the anterooms as waiting rooms before being presented to His Majesty Louis XV.

Smith and his wife wandered all over Europe in search of furnishings, paintings and equipment. Their purchases included a $150,000 eighteenth-century marble fireplace flanked by gilded bronze nymphs (now in the elegant Versailles Ballroom); a $50,000 rosewood bombe commode signed by Linke, a celebrated French craftsman. Hanging on the glazed cream walls of the lobby is a detailed reproduction of Return of the Prodigal Son by Rembrandt. The original painting is in The Hermitage in St. Petersburg, Russia. A mirror on the south wall is a work of art by Claude Charles Saunier, a noted cabinet maker during the Louis XVI period.

Filling the public rooms are paintings by Boucher, Fragonard and Gainsborough. A seven-foot-long, nineteenth-century desk, the twin of one in the king's bedchamber in Versailles, now resides in the Westgate Hotel lobby.

Braced with golden cherubs above its bronze-encrusted pigeonholes, an 1886 desk by Henri Dasson, was purchased at auction for $25,000 over 20 years ago.

Other Westgate treasures include a beautiful Steinway piano, one of the first five pianos manufactured by the company and exquisite tapestries of Aubusson and Beavais. The Beavais is from a painting by Francois Boucher (1703-1770), the first painter to King Louis IV, and who was greatly admired by Mms. De Pompadour. Magnificent chandeliers of hand-cut Baccarat crystal, specially made for the Westgate Hotel in Milan, Italy, crown the lobby and Versailles Ballroom

"The key to The Westgate's greatness is it's luxury hotel, in a sense that might almost be outmoded," said Richard Joseph of Esquire magazine. "This is no motel-modern, roadside renaissance structure; it is rather, a contemporary version of such elegant buildings as the Ritzs of Paris, Madrid and London, the Grand in Rome, the Amstel in Amsterdam and the Imperial in Vienna."
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